The Musician's Guide to Theory and Analysis Anthology (Third Edition)
| Author | : | |
| Rating | : | 4.97 (945 Votes) |
| Asin | : | 0393283194 |
| Format Type | : | paperback |
| Number of Pages | : | 528 Pages |
| Publish Date | : | 2015-06-08 |
| Language | : | English |
DESCRIPTION:
For the Third Edition, the anthology has been expanded to include more works from the recent past. . The selections represent a wide variety of genres and instruments to engage every student. These scores constitute the text’s core repertoire; with the text’s spiral-learning method, students return to each work throughout the theory sequence. The anthology includes over 100 outstanding teaching pieces written between the seventeenth century and the present
About the Author Jane Piper Clendinning is professor of music theory at the Florida State University College of Music. She has published in the areas of music cognition, music theory pedagogy, theory and analysis of atonal music, contour theory, history of theory, and analysis and performance. . She has published articles reflecting her interests in the history of theory, theory and analysis of twentieth-century music, computer pitch recognition, and computer applications in music. She has served as the chair of the Advanced Placement Music Theory Test Development Committee and as an AP reader, and is a regular consultant at AP workshops and summer Institutes.Elizabeth West Marvin is professor of music theory and former dean of academic affairs at the Eastman School of Music. Her current research interests include theory and analysis of popular and world musics. She is
Grace Lynn said A Five Star Winner for Self-Study. I bought this book after thoroughly researching music theory book possibilities here. I have been studying music theory in a class with the Benward book, but I did not do well as I wanted on a placement test for university transfer, and I do not easily understand Benward. When this book arrived, it did not take me long t. Dani said Five Stars. Arrived as expected. It works for me. Lord of the High C's I was fortunate enough to attend a workshop on this and other textbooks last summer with Dr. Clendenning. Although it is not perfect, it is still basically a good book. The things that are attractive to me are the variety and number of musical examples- many pieces with which my students are already familiar, and lots of
. Marvin is the 2012 recipient of the Gail Boyd de Stwolinski Prize for Lifetime Achievement in Music Theory Teaching and Scholarship. She has published articles reflecting her interests in the history of theory, theory and analysis of twentieth-century music, computer pitch recognition, and computer applications in music. Her current research interes