Space, Site, Intervention: Situating Installation Art
Author | : | |
Rating | : | 4.46 (814 Votes) |
Asin | : | 081663159X |
Format Type | : | paperback |
Number of Pages | : | 352 Pages |
Publish Date | : | 2016-06-05 |
Language | : | English |
DESCRIPTION:
A Collection of Essays on Site-specific and Installation Art Lance M. Foster I have been an artist all my life, and always worked at the scale of smaller, portable art: drawing, a painting, a small sculpture. However, I was always intrigued with the installation art I have seen at museums, even if I did not always understand itit "felt" intriguing-wow art you could actually walk into and interact with- and wanted to know moreultimately I wanted to try my hand at it someday. So I bought a couple different books on site-specific and installation art to learn more on how they were done, how artists conceptualized them and came up with their ideasthis was one of those books. So this is really j. Thinking person's collection of essays Publisher Comments:From Ferdinand Chevel's Palais Ideal (1879-1905) and Simon Rodia's Watts Towers (1921-195Thinking person's collection of essays Erika Suderburg Publisher Comments:From Ferdinand Chevel's Palais Ideal (1879-1905) and Simon Rodia's Watts Towers (1921-1954) to Ant Farm's Cadillac Ranch (1974) and Richard Serra's Tilted Arc (1981), installation art has continually crossed boundaries, encompassing sculpture, architecture, performance, and visual art. Although unique in its power to transform both the site in which a work is constructed and the viewer's experience of being in a place, installation art has not received the critical attention accorded other art forms.In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists vi. ) to Ant Farm's Cadillac Ranch (197Thinking person's collection of essays Erika Suderburg Publisher Comments:From Ferdinand Chevel's Palais Ideal (1879-1905) and Simon Rodia's Watts Towers (1921-1954) to Ant Farm's Cadillac Ranch (1974) and Richard Serra's Tilted Arc (1981), installation art has continually crossed boundaries, encompassing sculpture, architecture, performance, and visual art. Although unique in its power to transform both the site in which a work is constructed and the viewer's experience of being in a place, installation art has not received the critical attention accorded other art forms.In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists vi. ) and Richard Serra's Tilted Arc (1981), installation art has continually crossed boundaries, encompassing sculpture, architecture, performance, and visual art. Although unique in its power to transform both the site in which a work is constructed and the viewer's experience of being in a place, installation art has not received the critical attention accorded other art forms.In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists vi. loved this book joesant A Must Read, I bought 2!
It is so sensitive to the reader and to so many cultural and political issues." -- Bomb Magazine, Spring 2000. This wonderful book is a treat to read
Although it is widely considered a foundational book in contemporary thinking about the city, The Urban Revolution has never been translated into English—until now. His many books include The Production of Space (1991), Everyday Life in the Modern World (1994), Introduction to Modernity (1995), and Writings on Cities (1995).Robert Bononno is a full-time translator who lives in New York. 1991) was one of the most significant European thinkers of the twentieth century. In contrast to the ideology of urbanism and its reliance on commodification and bureaucratization—the capitalist logic of market and state—Lefebvre conceives of an urban utopia characterized by self-determination, individual creativity, and authentic social relationships.A brilliantly conceived and theoretically rigorous investigation into the realities and possibilities of urban space, The Urban Revolution remains an essential an