The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen'
Author | : | |
Rating | : | 4.84 (795 Votes) |
Asin | : | B072MRLZRG |
Format Type | : | |
Number of Pages | : | 552 Pages |
Publish Date | : | 2013-04-27 |
Language | : | English |
DESCRIPTION:
Covering early 20th century works such as the first full-length feature film Snow White and the Seven Dwarfs (1937), to The Lion King - Broadway's highest grossing production in history, and Frozen (2013), this edited collection offers a diverse range of theoretical engagements that will appeal to readers of film and media studies, musical theatre, cultural studies, and theatre and performance. The critical readings are detailed, open-minded and come to surprising conclusions about the nature of the Disney Musical and its impact.. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations. The final section focuses on issues of gender and race portraying representations of race, hetero-normativity, masculinity and femininity in Newsies, Frozen, High School Musical, Aladdin and The Jungle Book. The second section addresses various stage versions and considers Disney's outreach activities, cultural value and productions outside the Broadway theatrical arena. The various chapters address these three aspects of the Disney Musical and offer new critical readings of a vast range of important works from the Disney musical cannon including Enchanted, Mary Poppins, Hunchback of Notre Dame, The Lion King and versions of musicals for television i
He is the Artistic Director of the theatre company 'Altitude North' and also works as a freelance director/composer for the theatre. About the AuthorGeorge Rodosthenous is Associate Professor in Theatre Directing at the School of Performance and Cultural Industries of the University of Leeds, UK.
George Rodosthenous is Associate Professor in Theatre Directing at the School of Performance and Cultural Industries of the University of Leeds, UK. He is the Artistic Director of the theatre company 'Altitude North' and also works as a freelance director/composer for the theatre.