Faces of Salsa: A Spoken History of the Music
| Author | : | |
| Rating | : | 4.94 (966 Votes) |
| Asin | : | 1588340805 |
| Format Type | : | paperback |
| Number of Pages | : | 236 Pages |
| Publish Date | : | 0000-00-00 |
| Language | : | English |
DESCRIPTION:
Leonardo Padura Fuentes is a Cuban writer whose works include Máscaras, La Puerta de Alcalá y Otras Cacerías, Vientos de Cuaresma, and Pasada Perfecto.
Great insight into the development of salsa, Latin jazz, and merengue For many, the word salsa connotes rhythm and excitement. For Leonardo Padura Fuentes, it represents the struggle of a people to create music with meaning. In this book, the Cuban writer interviews thirteen men who figured prominently in the Latin music scene during salsa's early development. Their various journeys. Five Stars Very good book, interesting and made reminisce about the old days growing listening to this music.. Fabulosas historias, trata de poner un Panlatino punto de vista En que otro libro puedes leer de tan diversos personajes de la musica latina como Juan Formell, Juan Luis Guerra, y Willie Colon?El libro esta lleno de entrevistas muy interesantes, y se nota el amor del autor a la musica. Lo mas importante que saque de este libro es esto:1. Casi todos los musicos salseros de Puer
. About the AuthorLeonardo Padura Fuentes is a Cuban writer whose works include Máscaras, La Puerta de Alcalá y Otras Cacerías, Vientos de Cuaresma, and Pasada Perfecto
Rather, through his conversations with a group of extraordinarily articulate musicians, he reveals how the aesthetics of salsa filled a cultural void, transforming popular Latin and Caribbean dance music and creating a new generation of musicians who would establish a new model: the salsero, an artist who had embarked upon something his forbearers never did—a conscious project.. Filled with personal revelations by the musicians, historical detail about their lives and times, and colorful anecdotes about their identities, friendships, and working relationships, the book is a tribute to the artistry and social commitment of some of the most inventive artists of our time.In his brilliant introduction about the idols of Latin music since the 1920s, and throughout the book, Padura takes up the old dispute about the relationship of salsa to the Cuban music known as son, but the book is not a search for origins