Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture (a John Hope Franklin Center Book)
Author | : | |
Rating | : | 4.19 (960 Votes) |
Asin | : | 0822333430 |
Format Type | : | paperback |
Number of Pages | : | 272 Pages |
Publish Date | : | 2016-11-05 |
Language | : | English |
DESCRIPTION:
“Photography on the Color Line should be widely read and widely taught. In this outstanding book, Shawn Michelle Smith has offered not only a spirited reading of a historically important group of photographs but also a methodology and theoretical grounding that are widely applicable even beyond the specific archive of the Du Bois photographs.”—Laura Wexler, author of Tender Violence: Domestic Visions in an Age of U.S. Imperialism
Awesome Book MW This book is about the photographs taken of middle class black people. These photographs were shown at the 1900 Paris Exposition, at the American Negro Exhibit. They are still interesting today,because the show how black people looked and dressed in that era. Also of interest were photographs of blacks who looked more white than black, including a black albino person. I already knew about blacks being raped by whites during slavery, which would render their off-spring mulatto or looking totally w. "Five Stars" according to Terrince Autry. Great old-time, Victorian-age photos of Black people in their splendor. Why aren't these images more widely known?. "Good book for research" according to VPAS. If you are interested in the history of photography and also in African American photographers impact in history this is the book for you. Highly recommend.
E. B. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called “the problem of the twentieth century.” Du Bois’s prize-winning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americ